BMS 2022 front cover

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VOLUME 44, 2022

Contents

‘Some are born late’: Herbert Howells’s epochal lateness
by Tom Edney
Paradoxes of Plurality in the Music of Nicholas Maw
by Toby Young
Arthur Bliss’s Sonata for Viola and Piano
by Andrew Braddock

On the road to the revival of British Opera: The legacy of the British National Opera Company
by Bryan Coxson
‘In every way a persona gratissima here’: Vaughan Williams and Oxford
by Peter Gilliver

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